Download PDF 2666 [With Earbuds] (Playaway Adult Fiction)
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2666 [With Earbuds] (Playaway Adult Fiction)
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Download PDF 2666 [With Earbuds] (Playaway Adult Fiction)
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Produktinformation
Vorbespielter Audioplayer
Sprache: Englisch
ISBN-10: 143327955X
ISBN-13: 978-1433279553
Größe und/oder Gewicht:
12,7 x 3,2 x 21 cm
Durchschnittliche Kundenbewertung:
3.6 von 5 Sternen
9 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 9.862.399 in Bücher (Siehe Top 100 in Bücher)
Ich kann die vielen positiven Reviews nicht unterstützen. Der Roman hat an manchen Stellen erzählerische Stärken, verursacht aber vor allem während den Längen des mittleren Teiles hauptsächlich Kopfschütteln.Wie kann es sein, daß sich ein (männlicher) Autor so viele Sexualmorde ausdenkt und diese in den detaillierten Ausführungen schon fast zelebriert? Ein teilweise abscheuliches Buch.
das es für Kindle nur auf Englisch zu geben scheint. Eines der wenigen Bücher, das ich zwei Mal gelesen habe. Manchmal unlogisch, immer verwirrend aber letztlich entsteht ein Sog, der mich nicht aufhören lassen hat. Obwohl es kein Ende gibt, bin ich ziemlich sicher, dass es das auch nicht gegeben hätte, wenn Bolaño es vollenden hätte können.
Great book, but taking away one star cuz ot made me depressed for days..
The author, born in 1953 in Santiago de Chile moved to Mexico City at the age of 15. After several tumultuous years as political activist and bohemian poet he settled in Catalonia in 1977 where he died of liver failure in 2003 before he could finish this ambitious novel, however his literary executors considered the book fit to publish in 2004. Bolaño liked detective stories by master hard boilers like Dashiell Hammett, Ray Chandler, James M. Cain and the like. However, the pulpy atmosphere of unsolved mystery quickly disappears behind the book's five sections, each with an autonomous life and form and all eventually coursing a snake track through the Sonoran desert. Yet, all stories are intertwined like portraits of Renaissance painter Giuseppe Arcimboldo who created heads with fruits, flowers, vegetables and books.As in Bolaño's earlier book The Savage Detectives, this novel's center is the search for a lost writer. Four literary critics from different European countries are obsessed with a cultish but mysterious German novelist called Benno von Archimboldi. Hence there are many references to painting and the visual generally begins to take on great importance in the novel.At a chance meeting in France, dubious evidence indicates that Archimboldi may be living in Santa Teresa, a squalid and sprawling Mexican border town, both a victim of globalization and the mother lode for all sorts of human rot, blaring music and stinking dumps in the Sonora Desert which becomes the locale of the next two sections. There the focus is adjusted on Amalfitano a depressive Spanish literature professor and his daughter Rosa, as well as on Oscar Fate, an African-American journalist from New York, who is staying in Santa Theresa to cover a boxing match coming up in town. Now the tone darkens and bits of conversation are heard in bars and restaurants - references to "the killings". It slowly surfaces that Santa Teresa is the stage for murders of unimaginable horror.The killings in question - the murders of young women - have been occurring there for several years (the novel is set in the mid to late 90s). Bolaño's fiction suddenly sounds like grisly fact and Santa Teresa imaginatively becomes the real border town Ciudad Juárez, which indeed gained notoriety in the early 1990s for the extraordinary number of women and girls murdered, many of them raped, some tortured and most of them dumped in garbage heaps or like litter in the empty desert surrounding the town. The murders had begun to increase steeply in about 1993, almost parallel with the drug trade and a fast climbing number of new maquiladoras (foreign-owned assembly plants for export). For several years, on an almost weekly basis, bodies of young women would turn up and the majority were workers in these maquiladoras. Several arrests were made but this almost unbelievable femicide continues to this day, although at a lower rate. An extremely high percentage of the cases were unsolved (often the bodies weren't even identified) which implies that the murderers have connections. Rumor has it that they are protected by either corrupt police officers, narcos or even politicians or maquila bosses, so the truth remains everybody's good guess.These real events became the background for Bolaño's novel to elevate the eternal question of Mexican violence to the highest level of intensity. The fourth section is the shocking centerpiece covering about 300 pages in which he describes the murders chronoligically in the cold, language of a medical examiner dictating his report: where each body was found, the cause of death and even the state of decomposition, "anally and vaginally raped" is a depressingly continuous and even euphemistic statement. As the bodycount continues to rise and all the investigations don't reveal any clue, it becomes obvious that the author is describing his own vision of hell where even horror becomes meaningless.The theme's randomness and control over history spill over into the last part of the novel, it is an odyssey through Bolaños "realismo visceral" or the fight of the individual to survive with functioning ethics. Now the life of Archimboldi is disclosed, but not to the literary critics who started the search for him, he and his history become visible to the reader only, he shows signs of cynicism and naiveté but he never develops a life of his own and remains just a sombre conception, although one that is able to find beauty beyond the meaningless, the horrors of our time. The author feels free of any school of thought or a theory, he just searches for moral questions and otherwise shows what is possible in a novel - which means, well, anything. Maybe this way he has come close to re-inventing the novel.
Wow, was für ein Roman!Dies war mein Gedanke, als ich nach einem einwöchigen Kraftakt Robero Bolanos Roman "2666" aus der Hand legte. Das Wort "Kraftakt" ist hierbei durchaus wörtlich zunehmen, denn die mehr als 900 Seiten, in denen 80 Jahre Geschichte menschlichen Übels (das Massenmorden im Dritten Reich und die Entführung, Vergewaltigung und Ermordung mehrerer Hundert Frauen im fiktiven mexikanischen Santa Teresa - wohl das reale Juárez) behandelt werden, sind quantitativ eine Menge zu bewältigen, qualitativ kein Stoff für den sensiblen, kurzatmigen Leser.Ohne zuviel von dem (enormen) Inhalt preisgeben zu wollen/können, kann ich Folgendes berichten: Das Buch handelt vordergründig von der Suche vierer europäischer Akademiker nach dem mysteriösen, pynchon-esken deutschen Romancier Benno von Archimboldi, der zuletzt eben in Santa Teresa, Mexiko, gesichtet wurde. Dieser Arnimboldi war im 2. Weltkrieg Soldat der deutschen Wehrmacht in Russland und wurde danach Schriftsteller. Bolano verwebt die Suche der vier, das Morden der Mexikanerinnen und das Grauen im 2. WK geschickt in vier Teilen, von denen jeder leicht ein eigener Roman hätte werden können.Was mich an diesem Roman fasziniert, beeindruckt oder schockiert, ist, dass er nur scheinbar Antworten bietet. Doch weder Bolano noch von Arnimboldi vermag das Grauen in Santa Teresa noch das massenhafte Morden im 2. WK zu erklären. Insofern beschreibt er eine menschliche Zivilisation, die scheitert - die in all ihrer Größe scheitert.Also, wer in diesem Winter Zeit, Atem und Mut hat, soll sich mit diesem Roman auseinandersetzen. "Genießen" im herkömmlichen Sinne (Belletristik!) kann man ihn wegen seiner Länge (nicht Längen!!!) und seines schwerverdaulichen, im Ganzen doch düsteren Blicks wohl nicht. Ich hoffe, dem 2003 verstorbenen Autor nicht Unrecht zu tun, indem ich nur 4 Sterne vergebe.Hoffe, dass es hilfreich war.
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